Scott
deLahunta
Writing
Research Associates, NL
t:
+31 (0)652 641 354 / e: sdela@ahk.nl / w: http://www.sdela.dds.nl/
·
“Choreographic
Resources: agents, archives, scores and installations.” co-author: Norah Zuniga
Shaw. in: Performance Research. 13:2. 'On Choreography'. (upcoming Autumn
2008). ·
"Augmenting
Choreography: using insights from Cognitive Science". co-authors: Phil Barnard,
Wayne McGregor. in: Routledge Reader in
Contemporary Choreography. . eds. Jo Butterworth and Liesbeth Wildschut.
London: Routledge. (upcoming 2009). ·
"Blurring
the Boundaries: interactions between choreography, dance and new media
technologies". in: Interface Cultures
Artistic Aspects on Interaction, eds. Sommerer
C., Mignonneau L., Gestrich D. transcript: Bielefeld. pp.
225-235. ·
“Permuting
Connections: Software for Dancers”. in: Sound Unbound - an anthology on Sound Art,
Digital Media and new Compositional Strategy. Ed. Paul D. Miller aka Dj
Spooky. Cambridge: MIT Press. 2008. pp. 265-272. ·
Editor/
Author: SwanQuake. The User Manual.
Plymouth, UK: Liquid Press/ i-DAT. (upcoming winter 2008). ·
"Flickering
and Change: with Meg Stuart ". in: Knowledge in Motion. Eds:
Sabine Gehm, Pirkko Husemann and Katharina von Wilcke. Bielefeld: transcript.
2007. pp. 129-135. ·
"Talking
About Scores: William Forsythe's vision for a new form of dance 'literature'".
co-authors: Rebecca Groves and Norah Zuniga Shaw. in: Knowledge in Motion. Eds:
Sabine Gehm, Pirkko Husemann and Katharina von Wilcke. Bielefeld: transcript.
2007. pp. 91-100. ·
Editor/
Author: Capturing Intention:
documentation, analysis and notation research based on the work of Emio Greco |
PC. Amsterdam: Emio Greco | PC and Amsterdam School of the Arts. (October
2007). ·
"Rethinking
Tools: based on interviews collected during MODE05". co-author Eva-Maria
Hoerster. in: Reverse Engineering Education: in dance, choreography and the
performing arts. Follow-up reader for MODE05. b_books verlag: Berlin. 2007, pp.
88-95. ·
Co-editor
with Ric Allsopp of: Performance Research, Digital Resources, 11:4.
Co-curator of artistic contributions to DVD-ROM supplement.
2007 ·
"Constructing
Memory: creation of the choreographic resource”. co-author: Norah Zuniga Shaw.
in: Performance Research, Digital Resources Issue. Eds. Ric Allsopp and
Scott deLahunta. Vol 11, No 4. 2007 pp. 53-62. ·
"Day
of the Figurines ”. co-author: Matt Adams. in: Performance Research, Digital
Resources Issue. Eds. Ric Allsopp and Scott deLahunta. Vol 11, No 4. pp.
148-151. ·
“Sharing
Descriptions of Movement". (co-authored with Frederic Bevilacqua) in
International Journal of Performance and Digital Media. Vol 3, No 1. 2007. pp.
3-16. ·
"Schwelle:
dancing in a room full of fields and forces" (with C. Salter, M. Schumacher, H.
Gilpin, M. Baalman). in Ballettanz, February 2007. pp.
54-58. ·
"Willing
conversations: the process of being between". in: Leonardo. 39, No. 5
(October 2006). pp. 479-481. ·
"Dance
(in the presence and absence of) Technology". in: En moviment (inaugural
issue). eds. B. Raubert and Q. Noguero. Barcelona: Theatre Institute Mercat
de les Flors. (October 2006). pp. 16-17. ·
"Sharing
Questions of Movement". in: De
theatermaker als onderzoeker: Theater Topics II. eds. Maaike
Bleeker, Lucia van Heeteren, Chiel Kattenbelt & Kees Vuyk. Amsterdam
University Press. 2006. pp. 182-186. ·
"Espaces
distincts:quelques dimensions cognitives du mouvement" in: Nouvelles de
Danse n° 53 "Scientifiquement danse. Quand la danse puise aux sciences et
réciproquement", éditions Contredanse, Bruxelles 2006. pp. 150-162. ISBN
2-930146-26-5. ·
“Densities
of Agreement” (co-authored with Phil Barnard, Ian Nimmo-Smith, Jennifer Potts
and Cristina Ramponi). in: Dance Theatre Journal. 21:3. pp.
17-23. ·
"The
Finished Middle: a Hot Wired Live Art conversation about collaboration,
prototypes, tools as art and rules of engagement" (authored with collaborators).
in: A Guide to Good Practice in
Collaborative Working Methods and New Media Tools Creation. eds. L. Goodman
and K. Milton. London: Office for Humanities Communication Publication 18.
October 2005. pp. 105-113. ·
“What’s
in a Phrase?” (co-authored with Phil Barnard). in: Tanz im Kopf / Dance and Cognition. eds.
Johannes
Birringer & Josephine Fenger, Jahrbuch der Gesellschaft für Tanzforschung
15, Münster: LIT Verlag, 2005, pp. 253-66. ·
"Moving
Ideas: questions for the dancing mind". ballettanz, October 2005, pp.
20-23. ·
“Isadora:
an interview with artist/ programmer Mark Coniglio”. in International Journal
of Performance and Digital Media. Vol 1, No 1. pp.
31-46. ·
“Transactables”
(co-authored with Wayne McGregor and Alan Blackwell). in: Performance
Research, On The Page Issue. Eds. Ric Allsopp and Kevin Mount. Vol. 9, No.
2. June 2004. pp. 67-72. ·
“The
Walking Apparatus: a technological episteme”. in: Interagir: avec les
technologies numériques: Nouvelles de
Danse. No. 52. 2004. pp.
36-49. ·
“Choreography
and Cognition: A joint research project”. in: Art and Science: Proceedings of
the XVIII Congress of the International Association of Empirical Aesthetics.
Eds. João Pedro Fróis, Pedro Andrade & J. Frederico Marques. Lisbon:
IAEA2004. 2004. pp. 169-173. ·
DAMPF_lab
Final Report.
Amsterdam: Writing Research Associates, NL. 11-2004 ISBN:
978-1-84102-183-6 ·
"Separate
Spaces: some cognitive dimensions of movement". in: Species of Spaces (a
DIFFUSION eBook Series). London: Proboscis. 2004. http://diffusion.org.uk/.
·
“Blurring
Boundaries/ a theory of the artwork” [parts I and II]. in: COMPAS: virtual
dance magazine bcn. April 2004.
http://www.compasbcn.com. ·
“Open
Source Choreography?”. in: Code: The
Language of Our Time. Katalog zur Ars Electronica 2003. Ostfildern-Ruit:
Hatje Cantz. 2003. pp. 304-310. ·
“FOR
PULSE (Dance and Technology 4/03)”. in: Pulse: South Asian Dance in the
UK. Spring 2003 Issue. pp. 6-9. ·
“Conversations
on Choreography: a collectively authored text (working title)”. in:
Performance Research: Moving Bodies Issue. Eds. Ric Allsopp and David
Williams. Vol 8, No 4. December 2003. pp. 61-70. ·
“The
Dimensions of Data Space”. in:
Anomalie
digital_arts #3: Interfaces:Theories & Applications.
ed. Emanuele Quinz. Paris: Anomos. February 2003. pp.
72-79. ·
“A
Conversation on Stillness - Conversations on Choreography” (co-authored). in
Choreographic Encounters, Vol. 1. Institute for Choreography and
Dance. June 2003. pp. 77-83. ·
“Periodic
Convergences: Dance and Computers”. in Tanz und Neue Medien (book and
cd-rom/dvd). eds. Dr.
Söke Dinkla and Dr. Martina Leeker. Berlin: Alexander Verlag. 2002,
pp. 66-84. ·
“Software
for Dancers: Coding Forms”. in Performance Research, Translations Issue.
Eds. Ric Allsopp and Caroline Bergvall. Vol. 7, No. 2. June 2002, pp.
96-102. ·
“The
Future of the Interface” (interviewed by Emanuele Quinz). in: Anomalie digital_arts #2: Digital
Performance. ed. Emanuele Quinz. Paris: Anomalie. January 2002, pp.
76-85. ·
“Virtual
Reality and Performance”. in Performing Arts Journal, Vol. 24, Issue 1.
Jan 2002, pp. 105-114. ·
“Corporeal
Technologies”. in: Proceedings of CIRCUS 2001 Conference - New Synergies in
Digital Creativity Conference for Content Integrated Research in Creative User
Systems. Glasgow, 20TH -22ND SEPTEMBER 2001. Eds. Carola Boehm, David Garcia
and Hubertien Schuter. University of Glasgow. 2001, pp.
86-89. ·
“Coreografie
in Bit e Byte: Motion Capture, Animazione e Software per la Danza (Choreography
from Bits and Bytes: Motion Capture, Animation and Software for Making Dances)”
in: La scena digitale: Nuovi media per la
danza. eds. A. Menicacci and E. Quinz. Giangiacomo Feltrinelli Editore:
Milano, Italy, 2001, pp. 83-100. ·
"invisibility/
corporeality" in: Ideas: Noema. ed. Pier Luigi Capucci. April 2001.
http://www.noemalab.com. ·
"Unique
Bodies", METATAG, Lisa Haskel, ed. Society for Old and New Media.
Amsterdam:
BIS. June 2001. ·
"Hot
Wired Live Art: observations, reflections and interviews" in 3T (Norwegian
Theatre Journal), Spring 2000. ·
"Dance
Dramaturgy: speculations and reflections", (with co-authors) in Dance Theatre
Journal, April 2000. ·
“Convergences
between Dance and Technology” in Danse et Nouvelles Technologie: Nouvelles de Danse.
40-41 périodique semestriel automne-hiver 1999. pp.
23-45. ·
Co-editor
of “On-Line” Performance Research,4:2, publication date: September 1999.
Co-curator of artistic contributions to CD-ROM supplement. ·
‘Virtual
Ephemerality: the art of digital dancing’, in Maska: The Pleasure of the
Automaton, May 1999. ·
The
Connected Body? an interdisciplinary approach to the body and
performance.
Book Eds. Ric Allsopp and Scott deLahunta, Amsterdam School of the Arts,
1996.
I am developing a website built in DRUPAL where all the writing I did from 1996-2006 will be
available. However, this is a slow process, so in the meantime, if you see something you are interested in 'selected publications' below email me and I will be happy to send it to you.
Selected Publications